The Title of The Mentalist episode 6x12 is "Golden Hammer".
The final chapter of Red John has finally come to a close. I would have to admit that the biggest challenge in writing this episode was not what way to kill Red John, but simply the length of the episode. We have 42 minutes to wrap up a story that’s been running for six years. It’s very hard, if not impossible to contain all that the story demands in those 42 minutes. A lot of the big creative choices come down to what you leave out; what you don’t write. This is why I decided to make Patrick Jane’s final scene with Red John as intimate as possible. There is no murder more personal than killing someone with your bare hands.Written by
One of my favorite things about this episode was the pigeon gag in the chapel. The pigeon gag is a plot device that could only work on The Mentalist - Playful, unexpected, a little preposterous, but eminently logical. This gag is very common in the Carney lifestyle and seemed perfectly fitting for Jane’s final gag on Red John. A lot of people didn’t believe it would play out, but I was determined to keep it, and I think it played out perfectly. We created the bird phobia for McAllister to open up his character and give Jane something fun to play with. We created little quirks to McAllister’s personality along the way. If you take a look back you might be able to catch some of the clues we laid in earlier in the season.
Director/EP Chris Long did an amazing job as always, and made sure to carefully calculate and perfect every little detail in the episode. I wouldn’t have wanted any other person to direct such an important episode of The Mentalist series. His creative directive mind knew exactly the right direction to take this piece in.
Check out the extras in the last frame of the show and you’ll see how much attention to detail goes into the work, and how carefully Chris Long plans his shots…The extras represent the life Jane could have had if fate and Red John had not intervened…
|Robin Tunney and Simon Baker filming "The Great Red Dragon"|
The Great Red Dragon" is the seventh episode of season six of the Mentalist and the penultimate episode of the Red John saga. It opens in the aftermath of the explosion at Jane's house and ends with Red John still on the loose and CBI shut down by the FBI. In between, there are gunfights with dirty cops, a trip to the crematorium, and murder by whiskey bottle. All in all an invigorating hour of television.Written By
The credit says "written by Jordan Harper." But that's a lie. Nobody writes an episode of television by themselves. For one thing, I had the ideas and support of Bruno and the writing staff at every step. But TV is a collaborative thing from beginning to end.
Let's take the scene near the end of the episode where Jane meets FBI Agent Dennis Abbott and learns that CBI has been shut down. We set the scene so that Jane arrives just as his beloved couch is being moved out of the office. To add insult to injury, the men removing the couch hand Jane the spare change they found in it. And then as Jane faces off with Abbott, his arm is jostled and his also-beloved teacup falls to the ground, shattering in the same way Jane and Lisbon's world is shattering.
Pretty good stuff, right? I didn't come up with any of it. Jane seeing his couch being taken came from Executive Producer Chris Long during the writing process. The idea for the loose change gag came during rehearsals from stage dresser Bruce Bellamy. And the breaking of the teacup belongs to Simon Baker, who came to set that day with the idea. Who better to know what would affect Jane than the man who plays him?
This is how TV is made. People working together in ways that sometimes feels more like play than work: Being on the post-explosion set with director Elodie Keene and a special effects guy, picking through tubs of latex body parts for just the right severed foot. Watching Owain Yeoman on the ground in a very dirty alley, working out a fight-ending choke with our stuntmen. Bruno coming up with the t-shirt slogan "Having Fun in Sacramento" during a wardrobe meeting. (Every time I see Drew Powell in that bloodstained shirt I laugh, which might just say something about me.) Playing make believe with these talented and creative people all day long.
Really, it's a pretty cool job.
"Fire and Brimstone" is our sixth episode of the season. We're leading up to Patrick Jane finally learning Red John's true identity and having the chance to confront him face to face. So hold on. This is going to be one intense ride.Written by
"Fire and Brimstone" picks up right where "The Red Tattoo" (Episode 605) left off. Just before her death, Red John victim Kira Tinsley, gave Jane a message. More than a message, a clue. With her last dying breath, she told Jane that her killer, Red John, has a tattoo on his left arm. A tattoo of three dots. Armed with this information, Jane is now closer than he's ever been to identifying Red John. Problem is, there are still five suspects in contention. CBI Director Gale Bertram. Sheriff Thomas McAllister. FBI Agent Reed Smith. Former CBI Agent and Visualize crony, Ray Haffner. And of course, the one and only Brett Stiles. Jane's plan is to gather all five suspects together at the same time and in the same place, and check them for the tattoo. But doing so is easier said than done. And more than one suspect will be a formidable obstacle to Jane's plan. In the end of this episode, we will be much, much closer to knowing just who Red John is. The closest we have ever been. But this knowledge will come at a price. And for some, it's the highest price of all.
This episode was so much fun to write and be a part of. I was lucky enough to work with John Showalter, a veteran director and go-to-guy on THE MENTALIST. He did a truly amazing job with some very difficult material and sequences. I also got to write for all five Red John suspects - Malcolm McDowell, Michael Gaston, Reed Diamond, Xander Berkeley, and Drew Powell. Having all five fine actors in the same episode was a coup. And they definitely kept the set lively. Simon Baker gives, in my opinion, one of his best performances of the series. And we get to see a darker side of him we've only glimpsed in the past. Even after all these years, he continues to surprise and impress me. And Robin Tunney's scene in Malibu at sunset - not only is it beautifully shot, but Robin absolutely breaks your heart. Her performance kills me every time I watch it.
Filming this episode took us all over Los Angeles, and to some pretty incredible places. We shot a number of scenes at the Park Plaza Hotel, a historic building in the heart of downtown Los Angeles originally built by members of the Elks Club. And we had some pretty amazing days at Leo Carrillo State Beach in Malibu. The weather was perfect and the waves were even better. Our crew took full advantage of the location and went surfing at lunch.
Yesterday was the last filming day of the Pilot of The Fix, and we've got two beautiful photos of Robin on set. Here they are: ...